[DIGITALLY-INSPIRED] A face detection algorithm does not limit itself to humans. It can recognize faces in the most odd places, even in the sky. Cloud Face is a collection of such faces found in cloud images by an algorithm.
[DIGITALLY-INSPIRED] An old toluene tank in Dottikon, Swizterland becomes the setting of an impressive sound installation. The inner walls are covered with 329 cotton balls controlled by dc-motors.
[WATCH&LISTEN] As the digital tiles are slowly being flipped over, the abstraction lead to figuration and the face of Etta Bond singing the song is revealed.
[CONCEPT] This installation invites visitors to select a song on an iPad and to watch its visualization on the walls of the space. Painted with black and white lines, the five walls become a canvas for the digital mapping. More than a simple visualization, motion capture enables the visitor to interact with the animation.
[AGENDA] Five years after investing the Palais de Tokyo for a gigantic solo show, Loris Gréaud is back in two of Paris' most prestigious institutions, the Louvre and the Centre Pompidou.
[CONCEPT] The Design Exquis exhibition in London uses the Exquisite Corpse as a method of creation for design pieces. Matthew Plummer-Fernandez 3D printed a modern Venus in response to the picture he was given.
[DIGITALLY-INSPIRED] Christophe Lepot conducts chromatic experiments but uses pixels instead of paint. He distorts his images pixel by pixel to create these vast panoramic images where colors slowly emerge from the upper layers to form a hypnotic pattern.
[CONCEPT] 3D laser scanning opens up new possibilities to architecture. This powerful tool can provide a highly accurate representations of existing buildings.
[DIGITALLY-INSPIRED] A symbol from the digital world, the broken image icon finds its way in our reality. The frames, notepads, envelopes or CDs of the installation are all blank, their content being replaced by the infamous icon.
The Fubiz Awards are back! The competition launched last year by the inspirational website rewards the best creative works in 8 different categories.
[DIGITALLY-INSPIRED] The dissonance between physical and digital archive makes the selection of informations even harder. What should we keep? What is the difference between an original or a copy? A series of installation mixing old and new technologies illustrates his idea.
[DIGITALLY-INSPIRED] ANI GIF is an online gallery celebrating the art of GIF. For the second "exhibition"of the 2013/2014 season, the two curators of the website, Daniel Rehn and Sarah Caluag, asked Yoshi Sodeoka to present some of his creations.
[GAME-INSPIRED] A video game is projected onto three wall-mounted acrylic paintings created by Cable Griffith. A NES controller lets the audience interact with the piece.
[CONCEPT] Between the cartridges and the paper jams, inkjet printers can be a real pain so why not go back to a more reliable tool: the human hand.
[DIGITALLY-INSPIRED] Wallpaper is having a moment right now but instead of going all classical you should definitely consider the one created by Zoe Burnett. Dozens of emojis are cleverly arranged to create a unique pattern celebrating your love of all things digital.
[DIGITALLY-INSPIRED] Borna Sammak modifies video footage by removing colors that do not match his taste. The deconstruction he operates transform the original video in an intricate animation where no image is discernable.
[DIGITALLY-INSPIRED] A 120-foot long screen composed of 588 LED screens displays in real time the drawings made on three iPads located in the exhibition space.
[WEIRD APP] Everyone can now get an abstract painting of their own night of sleep thanks to an app developed by Accor. No robot this time, the app uses your the iPhone's accelerometer to record your movements and the microphone to listen to your breathing.
[WEIRD APP] This Chrome extension will turn your head upside down. Well, only in particular cases: pages located in the opposite hemisphere will appear upside down.
[DIGITALLY-INSPIRED] Old photographs become all glitched out thanks to the crafty cuts operated by Gordon Shark. Despite the apparent digital manipulation, no technology of any sort was involved here, only scissors and a sharp eye.
